swift return of the hostages currently being held by Hamas.

One manifestation evident in Seamless is the anxious performance of model minority excellence in protagonist Dianes life — a seamlessly perfect ideal that comes unraveled by the end of the play.Performances are scheduled for Sunday.

Where did it come from? The sensation of choking felt like a knot at the core of my being.Has that been your observation as well?Kondo: I think all historical traumas produce effects that extend far beyond the event itself.Dianes dilemmas — how to balance career and family.

A Sansei scholar in the Psychology Department at Smith (Donna Nagata) asked me to participate in her study on the legacy of internment among Sansei.Spotlighting a picture-perfect model minority family.

heart and history that asks: Is it possible to find happiness in our present and a path to our futures if we remain unaware and unsettled about our history and legacies?This theatrical view of history and identity refracted through gender.

earnest naturalism of many plays on historical trauma.especially in identifying and locating many of the approximately 200 former UCLA students who were forced to leave the university before completing their studies because of the forced removal.

He made the long drive to Manzanar each year so he could tell our students his story.and we were all about to leave Manzanar.

Tonais family was first incarcerated at the Santa Anita Assembly Center before being moved to the Amache concentration camp in Colorado.(Photo by Gann Matsuda/Manzanar Committee)The Manzanar Commitee mourns the passing of former Amache incarceree Minoru Min Tonai of Woodland Hills on Sept.